Откройте свой Мир!

чего-то все опять пропали...весна наверное))
у нашего нейро товарисча павла денюха сегодня ....ура ...поздравляю)))

Shadow Law 005 - рекомендую
A. Misanthrop - Bullhead
B. Misanthrop - Defection

Итак, хорошие новости! К нам едет State of Mind!
http://www.myspace.com/stat...
Из этой ссылки вы можете узнать две даты - 13-е Питер, 14- Ебург (Фодди, сходи ;) ) Апрель.
Могу сказать по секрету (хоть реклама уже есть) что 12-го будет ещё Орёл, но там почему-то не написано.

Так же Питеру рекомендую быть в эту пятницу здесь:

(кликабельно)

Друзья помогите найти треклист на этот замечательный микс! Меня он очень порадовал, особенно "тема пикирующего бомбардировщика" и "восточный )) драм"...

много нового повыходило - давайте обсуждать))
MISANTHROP новый релиз = http://www.juno.co.uk/produ...
N PHECT понравился = http://www.juno.co.uk/produ...
Noisia = http://www.juno.co.uk/produ...
phace = http://www.juno.co.uk/produ... = "Open Your Eyes" больше всего зацепила))
rawtekk = http://www.juno.co.uk/produ...

INI - в прошлом канадский диджей, художник и дизайнер, ныне (уже 4 месяца) проживающий в New-York City (Long Island) после 4-х месяцев затворничества и якобы ухода со сцены выкатил новый студийный микс. Он говорил что продал все пласты, но суде по всему накупил при этом очень много новых!


I.N.I - Beast Of The East [DNBN Studio Mix Volume 2]

N.phect + Dizplay - Bot Funk - Shoota Remix [Shadybrain]
Vicious Circle - Contagious - [Avalanche]
Spinor, Eskalation - Refractor - [Crossfire]
Tunnel Vision - Jackal - [Cymbalism]
Phace + N.phect - Cavity - [Syndrome Audio]
Misanthrop - Bullhead - [SLR]
Phace - Fingerfood - [Subtitles]
Karl K, Jae K, Kaos - Houston - KC Remix - [Human]
EBK + Prolix - Vacuum - [Industry]
Break - Cold Sweat - [Critical]
Desimal - Sun Destroyer - [Barcode]
Optiv - Circa - [Quarantine]
N-Phonix - Transfix - [Full Force]
N.phect feat Complex - Mofo - [Basswerk]
Raiden - Infection - E-Sassin remix - [Hardware LTD]
Gridlok - Bottomfeeder - [Project 51]
Vicious Circle - Between The Lines - [Renegade Hardware]
RDS - Maoi - Dementia Remix - [Shadybrain]
Gridlok + Hive - Event Horizon - feat Calyx - [Violence]
Prolix - Exhile - [Ganja Tek]
N-Phonix - Ephyra - [Full Force]
Catacomb - Deadlights - [Prospect]
Usual Suspects - Get On Back - [Industry]
EBK - Powder People - [Industry]
Catacomb - Buried Alive - Misanthrop Remix - [Shadybrain]
Motion - Elements Of Truth - [BIOS]
N.phect - Shiftfunc - [Full Force]
Milo - Black Hawk Down - Sunchase remix - [Shadybrain]
Morebeat - In Coma - [Citrus]
Prolix + Nocturnal - Condemned - [Renegade Hardware]
Noisia - Omissions - [Vision]
EBK - Blackboard Jungle - [Renegade Hardware]
Break & Survival - No I.D. - [Quarantine]
Silent Witness - California - [Critical]

Download
144 Мб, 1:44:45

конечно не в тему коммьюнити, но блин приятно что два раза у нас будет ))

Dizplay & Lost Sequence / Morebeat = Freak Wave / In Coma (citrus026)
N Phect / Cerebral Productions = Shift Funk / Exposure (ff008)
что скажите?

любопытная вещь

NOISIA/PHACE - Outsource (12" promo) - SYNDROME 003
что скажите?

Neurofunk [нейрофанк, неурофанк]

Neurofunk (часто называемый "neuro") - это поджанр drum and bass, который был основан продюсерами Ed Rush, Optical, Matrix и Ryme Tyme в районе 1997/1998 годов в Лондоне, Англия. Звучание стиля было продолжением, развитием techstep`a. После этого он развивался под влиянием многочисленных музыкальных жанров - техно, хауса, джаза. Их влияние ощущалось за счет использования стройных логичных и ритмичных построений из резких звуков (stabs) в басовой линиии, которые в свою очередь поддерживались высоко техничными барабанными петлями с инверсивными элементами на подложке. При этом основным влиянием всегда был классический фанк, причем его наиболее темные и тяжелые психоделические формы. Прототип neurofunk`a на ранней стадии можно услышать в миксе Ed Rush & Optical на BBC Radio 1 за 1998 год. Это был наиболее творческий период у первой волны продюсеров, определивший характерный для стиля саунд.

Между 1999 и 2000 годами балом правил шотландский проект Konflict из Глазго (также известный как Kemal & Rob Data). Они придали саунду и структуре стиля более жесткую и еще более темную форму с сильнейшим влиянием техно на первом плане. Главный вклад Konflict в развитие жанра состоит в том, что они заложили новые стандарты для последующих поколений продюсеров 21-го века.

Optical зародил основы жанра neurofunk своим треком "To Shape the Future" (Metalheadz Records/1997). После Konflict, в 2002 году такие продюсеры как Sinthetix, Cause 4 Concern, Silent Witness, Break взяли за основу их наработки и сконцентрировались на более холодном и точном программировании барабанов, более тяжелых басовых линиях и более "жирных" и отточенных миксдаунах.

Со временем с развитием студийной аппаратуры и мастерством продюсеров стиль эволюционировал семимильными шагами. Период с 2003 по 2006 год характеризуется как самый технологически "продвинутый". Знаковые продюсеры времени - Rob F (ex-Sinthetix), Kiko, Fierce, Optiv, Corrupt Souls, Mindscape, Noisia, Phace, The Upbeats, Misanthrop, Desimal, Mayhem, Codex и другие. Также интересен своим необычным саундом Gridlok, несмотря на использование в треках духовых сэмплов джазовых оркестров эры бигбэнда, ему удалось сохранить характерный для старого neurofunk`a минимализм.

Ключевые артисты:

CAUSE 4 CONCERN
Rob F (ex-Sinthetix)
Kiko
FIERCE
TEEBEE
OPTIV
CORRUPT SOULS
Mindscape
NOISIA
PHACE
The Upbeats
MISANTHROP
DESIMAL
MAYHEM
Ed Rush & Optical
Matrix
Gridlok
Konflict / Kemal
Stakka & Skynet
Skinny & Lynx
Codex

Ключевые лейблы:
Subtitles
DSCI4
Renegade Hardware
Black Sun Empire
Shadow Law
Full Force
Nerve
Lifted Music
Barcode
Citrus

Мне так жаль... Я до сих пор не могу в это поверить. Я живу с этой мыслью уже 7 часов и всё равно не могу в это поверить. Я ещё надеюсь на чудо. Надеюсь, что это чья-то злая шутка. Что он жив и завтра отпишется во всех топиках, рассказав, кто так зло над всеми нами пошутил. Но шансов всё меньше..... =(

Ссылки по теме:

http://www.drumandbass.ru/f...

Вот тут официальное подверждение с ВиннипегДжангл/. Winnipeg - город (в Канаде), где жил Graham Marsh aka Desimal/Epidose/MSD.

http://www.winnipegjungle.c...

Вспомним ушедшего от нас

http://www.drumandbass.ru/c...


Мне так жаль..............
Упокойся с миром....


x-posted

Чё-то забросил комьюнити. Постараюсь исправиться. Итак, микс Polarity. Вонзаем.

тут

Tracklisting
Wink - Simple Man (Optical Remix)
Phace - Species
Mayhem, Infiltrata & Psidream - Avalanche [ Buy ]
Spor - Ignition
Polarity - Serious Guys
Hidden Forces - Close To You (Psidream Remix) [ Buy ]
Pacific - Lust [ Buy ]
Noisia - Facade
Phace - Lost
Unknown Error - Hellraiser
Silent Witness & Break - Dont Rush It
Thinktank - Run and Shove
Matt U and Jade - Nightmare
Cut - The Calling
Noisia & Teebee - Lost Cause
Konflict - Messiah (Noisia Remix)
Teebee - Hunter
The Upbeats - Lick a Demon
Optical - Can You?
Corrupt Souls - Brood X
Skynet - Carbon Shock (noisia remix)
Noisia - Subdue
Echo - Out of Time ( Calyx Remix )
Polarity - Blast [coming on Kinematic320 ]
Optiv & Fierce - Surface Tension
Phace & Nphect - Confront

Интервью Десималя нужно кому-то переводить? ммм?

http://www.dnbnation.com/mixes/Desimal-Dnbnation_minimix.mp3
320kbs
35Mb
01. Desimal - Afterlife
02. Desimal - Arcanna
03. Desimal - Voidwalkers

Interview 4 dnbnation
The story of Desimal could read like the legend of high ranked, skillfully trained, lethal assassin. An unknown, originally discovered in the plains of Winnipeg, Manitoba, Canada by Cyanide, he was recruited and signed exclusively to represent Armada Recordings. Yet lack of output by the said label had forced the floor killer to search the world for other respective opportunities and work. In result, Desimal has recently seen releases on Black Sun Empire’s ‘oBSEssions’, Renegade Hardware’s offshoot ‘Barcode’ and has forthcoming material in the new year on Citrus Recordings and Vibez Recordings, as well as previously mentioned labels. With a sound and style all his own, the tracks he makes have the ability to obliterate a system in a matter of seconds. Within the first few bars, you know immediately its his work and what you are in for. He has reached the next level and defined a sound all his own, not an easy thing to do. So, take a moment to read up and get to know a bit more about a producer who is certain to have a big breakout year in 2006, DESIMAL.


No one really knows a whole lot about you. Care to shine a bit of light on to what makes Desimal tick ?

Mostly my sheer will to make music that scares old people. I feel a lot of frustration and anger when listening to the radio or the trendy music that most people are subjected to in the mass media. Pop music, a lot of the new rock and hip hop stuff is so formulated and devoid of all life and originality. I feel sorry that this is the only kind of music that reaches the minds of most people, especially younger people, and they really don’t know any better cuz they have never heard anything else. I think of drum and bass as an evolutionary kind of music that is going to take peoples minds to new places and bring in new ideas as to what forms music can take, and a lot of people just aren’t geared for it mentally, and will hear it and be like what’s this noise cuz it's so different. Then other people will hear it and start feeling it immediately. It's like how certain people can see a UFO and they go hey what’s that and try to sort it out, and someone standing right beside them could see the same thing but their mind isn't ready to process it, and it's like they don’t even see it at all. But dont get me started on that ..

How would you describe your music ?

I think one of the main things I’m trying to do with my music is reach mediums, like have things be light and dark, or complex but simple at the same time. Usually I'll lean towards one or the other but try to keep elements of both, so the tunes aren’t just 1 dimensional. I struggle a lot with complexity, back in the days of un-necessarily technical tracked demo music where we would have say, 5 synths going at the same time and changing up every 3 seconds, and then another 4 tracks for just strings, that’s sort of where I started out and now I’ve been working my way back trying to simplify things a bit so it's not just totally mental. I try to make stuff that is as danceable as possible, I really want to create tunes that people LIKE to dance to, that give them energy and I think at the very root of this is just the simple, repetitive beat over time. Kinda like how natives would dance around the fire to a simple hand drum. For some reason this beat has such an effect on us. So a lot of my beats I keep fairly repetitive but I'll say, change up the hats or percussion every few bars to keep things flowing. If I wanted to I could do super technical breakdowns and beats that fly all over the place but I think often this takes away from the danceablilty. As for everything else, I try to always have evolving elements throughout a tune so its never the same thing for too long, that way I think it keeps your mind interested as well.

What dnb artist were and are your biggest influences ?

I think when I really started getting interested in drum and bass was first time I saw Ed Rush & Optical do a show. I was like yeah, ok this is it . Before that I was producing all kinds of styles, everything from trance, breaks and hardcore. After that show I decided to focus strictly on dnb. It had everything I loved about electronic music. It had so much energy to it and just made you want to dance, but it was also highly creative and original, it made you think and was mentally captivating. I could really tell there was a lot of places you could go with it. Also, at the time I was really inspired by Konflict, Stakka & Skynet and Bad Company stuff. The dark, gritty, techy sounds.

And other musical influences ?

Before I started going to a lot of raves, I listened to mostly industrial, like Nine Inch Nails, KMFDM, Pop Will Eat Itself. I still like this stuff alot and think it still influences my tunes in a way. I also try to take elements from all the styles I’ve been into in the past, like the more technical stuff from mods and demo music, some melodic stuff from trance, and try to fit it all in. I’ve had so many influences from all types of music it's hard to list just a few and say these were the main ones. It’s interesting how we seem to put up walls around all these different genres of electronic music to keep them independent from each other, but at the same time they seem to borrow so much from each other, almost on a subconscious level. Another thing I'd like to get into eventually is mixing tempos and genres and seeing what kind of variations on styles can be created that way, but at the moment I’m highly focused on dnb and that takes most of my energy.

What do you listen to besides dnb ?

It's funny, at the moment I don’t listen to all that much dnb outside of my own production. I find after spending a night working at 175 bpm that when I go to listen to other stuff it's usually ambient or downtempo stuff like Shpongle or Liquid Morphine, it helps my mind relax a bit. Although I do try to keep up with what dnb is being put out there at the moment. I love to hear where people are taking things and get a lot of inspiration from other artists work.


"Desimal is one of those rare producers who can create sounds you can't relate to. You can't say 'hey that sounds like _____', because it doesn't. It sounds like Desimal. The first time I heard 'Zero Searcher' I was stoked on the depth of the sounds he had created and the arrangement he had come with. Very original."
-El Hornet [Pendulum]

Studio ?

I don’t have much of a studio, really its just my computer and monitors. but if anyone asks thats what I call it.I’m really happy with software right now and where it's been going the last few years. I feel like I can do everything I need with software at this time and I love it. I wouldn't mind having a few bits of gear to play around with but really I’d probly just end up back in reaktor cuz theres such a huge library and variety of sounds you can make with it and the sound quality just keeps getting better. Also for mixing down, I might get a desk to run my output though but for now I’m happy with the plugins I use and the system I have going. I started using renoise as a sequencer about a year ago. It has everything I love about trackers and I've gotten familiar with over the last 10 years but it has a ton of new features and sounds great.

Describe your sound.


I don’t really like using buzzwords to describe my sound, or I start sounding like a commercial or something. I think when my sound starts to fit into a set of terms then I'll have lost my creativity and have moved onto making music for ipod commercials or something.

What upcoming releases do you have slated ?

I’m in the middle of a few projects right now and it's hard to say as nothing is definite yet, but possibly some more stuff for Armada, oBSEssions, Citrus, Vibez and Barcode. Right now I’m trying to broaden my horizons a bit and reach a wider audience, hopefully I'll be able to find other quality labels that are interested in my sound.

How were you discovered, so to speak ?

The first person that really took an intrest in my sound was Cyanide. I think he yelled at me on AIM one day and then I had a deal. I’ve never been much for the business end of things, marketing yourself and all that. I think I sent out a few demos a very long time ago, that was before I had even started mixing things down and I realize now the tunes sounded pretty shitty. Cyanide was a huge support and was very motivated, I liked his idea for a label and could tell he was putting a lot of energy into it.


How did it make you feel when you were approached to have your music released ?

A bit relieved. I’d been producing for a long time and at that point was pretty eager to start putting some things out there. Also, I think it gave me the confidence to stay focused on production and try to take things to the next level in terms of mixing down and quality control. Getting the final tunes sounding good is still my biggest challange and I feel like I’ve learned so much about mixdowns over the last year or two, but I still have a long way to go, and I dont think its something you can ever fully master. If I was to sum up the main thing I’ve found for myself about production, it's to use quality samples. If you’re not using good samples from the start, no matter how good your production skills are, you’re not gonna be able to polish them into something great. What you should be trying to do is taking someting that sounds good and make it even better, not trying to make something that’s crap sound reasonable.

Who's work are you into these days ?

All the guys pushing the new neuro sounds are a big inspiration to me, Noisia, Corrupt Souls, Phace, etc.. I always look to see what these guys are up to and I’m always impressed with how their progressing with their own unique sounds and styles.


Anyone you want to collaborate with ?

I've been supposed to do a collab with Noisia for like 2 years now, it's almost gotten started a couple times but, like most of my collabs that didn’t happen, we run into compatability issues. I work in trackers and the guys I go to collab with are usually in cubase or logic, so its a bit of a
leap to get things going. Really I have yet to collab with anyone (or remix anyone for that matter). I've been really tied up with my own stuff but its someting I really want to do in the near future, we'll see.


You're stranded on a desert island with three movies, five tunes, and one choice of food and drink. They are ?

I'm not that big of a movie guy so ill just say ‘Akira’ for movie. Every time I watch it I realize a bit more about how deep the plot is and I love this style of animation. For tune, I would have to say Konflict ‘Gene Sequence’ and food, I'd say hotdogs and beer, because I love camping and trust me this combination alone can sustain you for months

Shouts go out to...

DOA Grid krew, ive been neglecting my forum posting duties a lot lately and I miss spending hours talking production with these cool like-minded people. Also the man E-dub and Dnbnation for letting me speak my mind a bit.

http://www.dnbnation.com/cms_view_article.php?aid=32

Мы начинаем. Никаких наркотиков, никаких джампапов, никаких Баронов или Дистортед Майндзов!